Montignac’s history is linked with the “History of Mankind” as a matter of fact, Montignac was settled as of the paleolithic area, then it was colonized by the Romans as testified by the Villa des Olivoux in Chambon and Brenac. From this rich period, Montignac has inherited the world famous cave of LASCAUX, discovered in September 1940 and the Régourdou.

Its feudal castle already existed in the beginning of the Middle Ages and until the 10th century; it became by marriage (11th century) one possession of the Count of Perigord, and then became an important fortified town. The last counts: Archambaud V and VI who had been unfaithful to the King were thus deprived of all properties by the Paris Parliament. Montignac then became one property of Louis d’Orléans, brother of French King Charles VI. Charles VI was taken prisoner during the battle of Azincourt and decided to sell the town to Jean de Blois in order to pay his ransom. By marriage, the castle and town then became a property of the D’Albret family until 1603, when French King Henry IV gave them to François d’Hautefort Lord of Thenon. The castle has been many times dismantled during wars, and it was destroyed in 1825. Only one tower and its infrastructure bear witness of its former glory.

The town used to be surrounded by a wall with three doors, of which one led to a wood bridge across the river Vézère (today facing the Pègerie street). This bridge was burnt in 1580 by protestants, then it has been rebuilt, and was carried away by the 1620 flood. A new bridge was built between 1766 and 1777 to replace the ferry that had been used for 150 years.
This charming town includes two different areas located on both sides of the Vézère river: on the right bank, the feudal town and its medieval narrow streets with their 14th, 15th and 16th century architecture: houses on piles, half-timbered houses, wash houses and springs, the typical yellow stones of which beautifully reflect the sun. On the left bank, the suburb with the convent and priory reminds us that Montignac used to be a harbour, a place of commerce and crafts during the Ancien Régime period.

Hospitality remains the number one tradition of its inhabitants (3,101 today). In Montignac many celebrities were born, such has Eugène LE ROY, writer and author of «Jacquou Le Croquant», Joseph Joubert the moralist, or Pierre Lachambaudie, writer of tales…

Montignac, is also a place for gastronomy: the Lascaux cake is wonderful, and when you’re here it is as if you could smell the delicate aroma of King Henri IV’ “Poule au Pot”. When you come to Montignac, our tables d’hôtes and restaurants lead you to discover the numerous delicious recipes of our Perigord. But this is not the end of it!

Montignac and its area offer varied hiking paths, leisure activities and sites to be visited, of which, do not miss Lascaux II, the Regourdou, the Thot-Espace CroMagnon, the castles of Losse, and Sauveboeuf, theSaint-Amand de Coly Abbey, the shelters of La Roque Saint Christophe, the Paleontology museum and the Dinosaurs’ Park!

In Paleontology , the term Perigordian industry is given to the tool tradition of prehistoric men in Upper Paleolithic Europe that followed the Mousterian industry, was contemporary in part with the Aurignacian, and was succeeded by the Solutrean. Perigordian tools included denticulate (toothed) tools of the type used earlier in the Mousterian tradition and stone knives with one sharp edge and one flat edge, much like modern metal knives. Other Upper Paleolithic tool types are also found in Perigordian culture, including scrapers, borers, burins (woodworking tools rather like chisels), and composite tools; bone implements are relatively uncommon.

The Perigordian has two main stages.

The earlier stage, called Châtelperronian, is concentrated in the Périgord region of France but is believed to have originated in southwestern Asia; it is distinguished from contemporary stone tool culture complexes by the presence of curved-backed knives (knives sharpened both on the cutting edge and the back).
The later stage is called Gravettian and is found in France, Italy, and Russia (there termed Eastern Gravettian). Gravettian people in the west hunted horses to the near exclusion of the reindeer and bison that other contemporaries hunted; in Russia Gravettians concentrated on mammoths. Both appear to have hunted communally, using stampedes and pitfalls to kill large numbers of animals at one time. Gravettians in the east used large mammoth bones as part of the building material for winter houses; mammoth fat was used to keep fires burning. Gravettian peoples made rather crude, fat “Venus” figurines, used red ochre as pigment, and fashioned jewelry out of shells, animal teeth, and ivory.

Archaeological finds in the Perigord, made another profound impact on the study of religion when in 1841 the discovery of prehistoric human artifacts and later finds gave clues to early man’s magico-religious beliefs and practices. These discoveries, notably the cave paintings in the Dordogne, northern and eastern Spain, and elsewhere, gave scholars encouragement to work out the course of man’s religious evolution from earliest times. Spectacular as prehistoric archaeology was proving to be, however, it could only yield fragments of a whole that is difficult to reconstruct. Even the famous cave paintings of Les Trois Frères, in the Dordogne, for example, which portray among other things a dancing human with antlers on his head and a stallion’s tail decorating his rear, does not yield an unambiguous interpretation: is the dancing figure a sorcerer, a priest, or what? He very likely is a priest presenting himself as a divine figure connected with animal fertility and hunting rites–but this remains as only an educated guess. Hence, it became attractive to many scholars of religion to try to supplement ancient archaeological evidence with data drawn from contemporary primitive peoples–i.e., to interpret the prehistoric Stone Age through present-day stone age cultures. This procedure has several pitfalls–partly because contemporary “primitives” are themselves the product of a long historical process and because their culture may have changed over the millennia in many and various ways.

Lascaux: A cave containing one of the most outstanding displays of prehistoric art yet discovered, located above the Vézère River valley near Montignac. It is a short distance upstream from another major cave-art site, Eyzies-de-Tayac. The two sites, with some two dozen other painted caves and 150 prehistoric settlements in the Vézère valley, were added to UNESCO’s World Heritage List in 1979. Discovered by four teenage boys in September 1940, the cave was first studied by the French archaeologist Henri-Édouard-Prosper Breuil. It consists of a main cavern (some 66 feet [20 meters] wide and 16 feet [5 meters] high) and several steep galleries, all magnificently decorated with engraved, drawn, and painted figures.
In all there are some 600 painted and drawn animals and symbols, along with nearly 1,500 engravings. The paintings were done on a light background in various shades of yellow, red, brown, and black. Among the most remarkable pictures are four huge aurochs (some 16 feet long), their horns portrayed in a “twisted perspective”; a curious two-horned animal (misleadingly nicknamed the “unicorn”), perhaps intended as a mythical creature; several red deer; bovids; great herds of horses; the heads and necks of several stags (3 feet [1 meter] tall), which appear to be swimming across a river; a series of six felines; two male bison; and a rare narrative composition.The narrative scene has been variously interpreted but is probably based on shamanism. Its central figure is a bison that appears to have been speared in the abdomen; hanging, or spilling, from the animal near the spear is a lined, ovular sack that may represent entrails. In front of the bison’s horns, and falling away from the animal, is a bird-headed man–the only human figure depicted in the cave–with an erect phallus. Just below, or beside, the man is a stick with a bird ornament as a finial. Another spear is near the man’s feet, and off to the left a rhinoceros seems to be walking away from the scene. Archaeologists have theorized that the cave served over a long period of time as a centre for the performance of hunting and magical rites–a theory supported by the depiction of a number of arrows and traps on or near the animals. Based on carbon-14 dating, as well as the fossil record of the animal species portrayed, the Lascaux paintings have been dated to the late Aurignacian (Perigordian) period (c. 15,000-13,000 BC). The cave, in perfect condition when first discovered, was opened to the public in 1948. Its floor level was quickly lowered to accommodate a walkway, destroying information of probable scientific value in the process–and the ensuing pedestrian traffic (as many as 100,000 annual visitors), as well as the use of artificial lighting, caused the once-vivid colours to fade and algae and bacteria to grow over some of the paintings. Thus, in 1963 the cave was again closed. In 1983 a partial replica, “Lascaux II,” was opened nearby for public viewing; by the mid-1990s it registered some 300,000 visitors annually.

The inhabitants of what was to become the Perigord region have left so much evidence of their existence and way of life that the valley of the Vézère has become a sanctuary to their memory and a prestigious prehistoric site. Industrious and prosperous tribes of Gauls who lived in the hills and already knew the secrets of iron joined together and became known as the Petrocores. Under the Romans, they built in the valley the important town of Vésone which became a city in the first century AD and part of the Roman Empire. After the invasions, the antique Civitas Petrocorium became the province of Périgord and played an important part in the struggle for the independence of Aquitaine, before coming under the French monarchy. The French king Henri IV was the last Count of Périgord.

During the Hundred Years War , the region marked the boundary of French and English possessions and was thus the scene of incessant combat, resulting in the many castles which were the bastions of rival factions. Feudal struggles were fierce and the spirit of liberty was evident from early on. The towns were administered by consuls and walls were built to protect the cities.
After the destruction and massacres of the Wars of Religion (1562 – 1598), these military defences were used for the last time during the troubles known as “La Fronde” (1649 – 1652).
During the French Revolution , the Périgord region changed its name in 1790 and became known as the
Dordogne, with the capital changing successively from Périgueux to Bergerac then Sarlat before finally becoming Périgueux again.

Ferme de Fonluc is situated in the hart of the Vezere Valley in Tayac, just 10 minutes walk from Les Eyzies de Tayac. We have the Vezere river running through our land, and stunning views of the Limestone rock faces riddled with Prehistoric dwellings.

Ferme de Fonluc is an ideal place to spend your vacation, a beautiful Perigordine’s farmhouse nestled away in the Vezere Valley surrounded
by lush fields and woodland with spectacular views of the limestone cliffs that are riddled with prehistoric dwellings and the Vezere river running through it. Being just 10 minutes walk from Les Eyzies, it is an ideal place to experience the Prehistoric Capitol, but to escape the very busy tourist villages / attractions.

Horse riding in the Dordogne is an absolute unique experience, nowhere else in the world can you visibly travel through more than 250000 years of history, from neanderthal dwellings, through Cro-Magnon settlements to Medieval towns and villages, all within a day. The Vezere valley in the hart of the Perigord Noir is with it’s more than 250 UNESCO sites of interest the undisputed Prehistoric Capital of the World. Most of these sites are only accessible on foot or horseback. Vezere Valley, Lascaux, La Madeleine, Commarque, Font de Gaume, these are just a very small list of the treasures on our doorstep.
Ferme de Fonluc guarantees you horse riding trips and multi day treks that you will never forget, you will get to see the real Dordogne, and see places in the Prehistoric Capital of the World that tourists never get to see.

httpv://www.youtube.com/watch?v=Y6BNqd0emX8 

For more info visit : www.fonluc.com  and / or www.dordogneonhorse.com